Tuesday, April 10, 2012
Insight into Entertainment has MOVED
This will be the last post on INSIGHT INTO ENTERTAINMENT. From now on, you can find my musings and optimistic comments on movies over at REEL INSIGHT
Monday, April 9, 2012
900th Post: Thanks for playing
I want to say thank you so much to all the people who play the mashup game. I hope you'll continue to play over at Reel Insight. Here is the final leaderboard after the big push to get enough posts.
Ryan - 9
SDG - 6
Keith - 3
Rachel - 3
Andrew - 2
Red - 1
Dave - 1
Dylan -1
Congratulations to Ryan for coming out on top. And thanks again to everyone for playing.
Ryan - 9
SDG - 6
Keith - 3
Rachel - 3
Andrew - 2
Red - 1
Dave - 1
Dylan -1
Congratulations to Ryan for coming out on top. And thanks again to everyone for playing.
My Top 10: #1 Sense and Sensibility
Oops - I had written this out earlier, but wanted to look at it in Word and then deleted it. I thought I'd deleted the post and would set it up tonight, but alas, my attention closing out the blog has been waning. But here you go.
Sense and Sensibility has been my favorite movie for nearly a decade (I'm sure a future post will give you all my past favorite movies). I would say I've seen it more than 100 times. The various things about the film that I like most change regularly, from the dialogue to the acting, to the story and the recognition of previously unknown actors (Imelda Staunton and Hugh Laurie in supporting roles very different than "Dolores Umbridge" and "House"). I also recognize it's not the kind of movie that appeals to everyone - you have to like period pieces, female characters, and it helps if you have no aversion to Kate Winslet, Emma Thompson, Alan Rickman or Hugh Grant.
Sense and Sensibility is based on Jane Austen's novel and adapted by Emma Thompson who won an Oscar for her effort. Elinor and Marianne Dashwood are sisters whose father didn't leave them anything for dowries. Thus, their prospects of marrying well are pretty low. Elinor (Thompson) falls for her sister-in-law's brother Edward Ferrars (Grant), but doesn't want to admit to it, particularly when she finds out he's already engaged. She sensibly bears up under a broken heart. In opposition, Marianne (Winslet) loves openly and without paying attention to proper decorum (or whether they can actually marry her). Of course it ends the way it should, and someone has to protect the honor of a young girl (Alan Rickman).
Turns out I can't explain why this is my favorite movie. How do you do it?
Sense and Sensibility has been my favorite movie for nearly a decade (I'm sure a future post will give you all my past favorite movies). I would say I've seen it more than 100 times. The various things about the film that I like most change regularly, from the dialogue to the acting, to the story and the recognition of previously unknown actors (Imelda Staunton and Hugh Laurie in supporting roles very different than "Dolores Umbridge" and "House"). I also recognize it's not the kind of movie that appeals to everyone - you have to like period pieces, female characters, and it helps if you have no aversion to Kate Winslet, Emma Thompson, Alan Rickman or Hugh Grant.
Sense and Sensibility is based on Jane Austen's novel and adapted by Emma Thompson who won an Oscar for her effort. Elinor and Marianne Dashwood are sisters whose father didn't leave them anything for dowries. Thus, their prospects of marrying well are pretty low. Elinor (Thompson) falls for her sister-in-law's brother Edward Ferrars (Grant), but doesn't want to admit to it, particularly when she finds out he's already engaged. She sensibly bears up under a broken heart. In opposition, Marianne (Winslet) loves openly and without paying attention to proper decorum (or whether they can actually marry her). Of course it ends the way it should, and someone has to protect the honor of a young girl (Alan Rickman).
Turns out I can't explain why this is my favorite movie. How do you do it?
Sunday, April 8, 2012
My Top 10: #2 Out of Africa
My parents were big watchers of Masterpiece Theater on PBS when I was a kid. It came on just as I went to bed, so the intro music and scenes are a very big part of what it meant to be an adult in my little kid eyes. My parents swear that Out of Africa wasn't something that Masterpiece would have shown - it is an American big budget film not of the indie or British persuasion. What did show on Masterpiece is a TV-series called "The Flame Trees of Thika" that ran in 1981 when I was about 2 years old. My parents are convinced this is what planted a desire to go to Africa after college and the idea that I saw Out of Africa on Masterpiece Theater.
Anyway, I did go to Africa, several times over the course of 5 years, living in Kenya for over a year, and spending a summer in Gabon doing my own research. I've written many times of my love for Out of Africa, and discussed it on both the Matineecast and Reel Insight's Meryl Streep episode. I think Meryl's version of Karin Blixen is wonderful. There's narration done in Meryl's Dutch accent that always brings me back to the first time I saw the movie and the first time I saw Africa - because Nairobi looked very different when I arrived than the farm Blixen owned "at the foot of the Ngong Hills" which is now a posh suburb of Nairobi next to Kibera, one of the largest slums in the world.
Sydney Pollack directed Streep and a still particularly attractive Robert Redford in the real life love story between Blixen and Denys Finch-Hatten, a British safari guide that takes place before World War I. Blixen is married to a baron who doesn't want to help with the coffee farm they've invested in and instead goes about the country leading hunting safaris. This leaves Blixen to fall for a good friend, charmer, and all around interesting guy. I like Streep's desperation to make Redford love her in the way she loves him, but it's not how he's made, and stays aloof, though in love with her. Their dialogue about needing one another and not trying to change each other feels very real. So when Denys dies young, their love affair is all the more tragic. I love this movie and could probably watch it every day. I can definitely appreciate it's not for everyone - it's definitely dated to the 1980s when it was made. And you really have to find Redford attractive and Streep believable to make the rest of the story work.
Anyway, I did go to Africa, several times over the course of 5 years, living in Kenya for over a year, and spending a summer in Gabon doing my own research. I've written many times of my love for Out of Africa, and discussed it on both the Matineecast and Reel Insight's Meryl Streep episode. I think Meryl's version of Karin Blixen is wonderful. There's narration done in Meryl's Dutch accent that always brings me back to the first time I saw the movie and the first time I saw Africa - because Nairobi looked very different when I arrived than the farm Blixen owned "at the foot of the Ngong Hills" which is now a posh suburb of Nairobi next to Kibera, one of the largest slums in the world.
Sydney Pollack directed Streep and a still particularly attractive Robert Redford in the real life love story between Blixen and Denys Finch-Hatten, a British safari guide that takes place before World War I. Blixen is married to a baron who doesn't want to help with the coffee farm they've invested in and instead goes about the country leading hunting safaris. This leaves Blixen to fall for a good friend, charmer, and all around interesting guy. I like Streep's desperation to make Redford love her in the way she loves him, but it's not how he's made, and stays aloof, though in love with her. Their dialogue about needing one another and not trying to change each other feels very real. So when Denys dies young, their love affair is all the more tragic. I love this movie and could probably watch it every day. I can definitely appreciate it's not for everyone - it's definitely dated to the 1980s when it was made. And you really have to find Redford attractive and Streep believable to make the rest of the story work.
Saturday, April 7, 2012
My Top 10 #3: Shawshank Redemption
The Shawshank Redemption shares the top spot on the IMDB top 250 with The Godfather, so I know I'm not alone in loving this movie. I remember the year it came out, watching the Oscars and wondering whether this odd movie about a Chinese prison could possibly be good. Yes, the red text/poster, a buttoned up Tim Robbins on the poster, and the strange word Shawshank made me think this movie took place in China. Given that the word Shawshank is so broadly known now, I find it surprising I was so oblivious. But that's what happened in the pre-internet era - your misconceptions had no easy outlet for correction.
There are a lot of reasons this movie shouldn't work - it takes place in a prison; there is a fair amount of violence, much of it sexual; the movie relies heavily on narration for exposition, and there isn't a single woman in the named cast. However, the narration is the best example of the technique out there. The violence is the least memorable part of the film. And the prison characters set up a wonderful story with built in back-stories. Turns out everything that might have been going against it really works in its favor.
I have trouble believing that anyone who reads this blog hasn't seen this movie so I won't summarize the plot at all, and instead give you my top 5 moments:
5. When Red carves "So was Red" into the beam where Brooks wrote "Brooks was here". The Red heads out on his adventure, choosing life.
4. Red's 2 different parole hearings. One where he tells them what they want to hear and one where he tells them what he actually thinks.
3. Andy's explanation to Captain Hadley about how he can keep an inheritance by giving it to his wife and then asking for beer for his friends because "A man working outdoors feels more like a man if he can have a bottle of suds."
2. Andy's explanation of where Red can find a rock at the end of a long rock wall.
1. Red's speech explaining what Andy did to actually get free. "He crawled through a river of shit and came out clean on the other side"
There are a lot of reasons this movie shouldn't work - it takes place in a prison; there is a fair amount of violence, much of it sexual; the movie relies heavily on narration for exposition, and there isn't a single woman in the named cast. However, the narration is the best example of the technique out there. The violence is the least memorable part of the film. And the prison characters set up a wonderful story with built in back-stories. Turns out everything that might have been going against it really works in its favor.
I have trouble believing that anyone who reads this blog hasn't seen this movie so I won't summarize the plot at all, and instead give you my top 5 moments:
5. When Red carves "So was Red" into the beam where Brooks wrote "Brooks was here". The Red heads out on his adventure, choosing life.
4. Red's 2 different parole hearings. One where he tells them what they want to hear and one where he tells them what he actually thinks.
3. Andy's explanation to Captain Hadley about how he can keep an inheritance by giving it to his wife and then asking for beer for his friends because "A man working outdoors feels more like a man if he can have a bottle of suds."
2. Andy's explanation of where Red can find a rock at the end of a long rock wall.
1. Red's speech explaining what Andy did to actually get free. "He crawled through a river of shit and came out clean on the other side"
Friday, April 6, 2012
My Top 10: #4 Wall-E
I'm kind of surprised this is the only animated film in my top 10, but you can't argue with the numbers. Wall*E's environmental message definitely speaks to me, but it's really how amazing the character of Wall*E is with his love for Eve that melts my heart every time I watch him save humanity.
Wall*E is left behind on Earth after the humans have destroyed it and left it covered in garbage and gone off in a space shit for 700 years. Wall*E has been dutifully attempting to clean it up. In all his garbage stacking, he finds a lot of treasures - a videotape of Hello, Dolly, Twinkies, lightbulbs, christmas lights, lighters, a bra, and finally a plant.
Eve has been sent back to check out Earth to see if it can sustain life yet. Wall*E of course is overjoyed that he has someone to show his treasures to and hang out with - his only friend before was a cockroach. However, when Wall*E shows Eve his plant, she shuts down awaiting her ship to come back to confirm Earth can sustain life. This brings about some of the best moments of the film - Wall*E takes care of Eve, trying to get her to wake up, but always staying by her side. Even after Eve is taken back to the humans' ship, Wall*E comes after her, reintroducing that spark of optimism and hope to the machines of the ship. Ultimately their relationship is what saves the day and the triumphant ending is terrific.
The other element of the movie that I don't like as well, but is an important balance to the love story is the fact that humans have gotten horribly fat and lazy - such that they can barely walk and have forgotten almost everything about how they were as people and what life was like on Earth. It's also a little odd that all the people were taken from the US, probably not the best form of diversity.
Wall*E is left behind on Earth after the humans have destroyed it and left it covered in garbage and gone off in a space shit for 700 years. Wall*E has been dutifully attempting to clean it up. In all his garbage stacking, he finds a lot of treasures - a videotape of Hello, Dolly, Twinkies, lightbulbs, christmas lights, lighters, a bra, and finally a plant.
Eve has been sent back to check out Earth to see if it can sustain life yet. Wall*E of course is overjoyed that he has someone to show his treasures to and hang out with - his only friend before was a cockroach. However, when Wall*E shows Eve his plant, she shuts down awaiting her ship to come back to confirm Earth can sustain life. This brings about some of the best moments of the film - Wall*E takes care of Eve, trying to get her to wake up, but always staying by her side. Even after Eve is taken back to the humans' ship, Wall*E comes after her, reintroducing that spark of optimism and hope to the machines of the ship. Ultimately their relationship is what saves the day and the triumphant ending is terrific.
The other element of the movie that I don't like as well, but is an important balance to the love story is the fact that humans have gotten horribly fat and lazy - such that they can barely walk and have forgotten almost everything about how they were as people and what life was like on Earth. It's also a little odd that all the people were taken from the US, probably not the best form of diversity.
Thursday, April 5, 2012
My Top 10: #5 Indiana Jones and the Last Crusade
I like all of the Indiana Jones movies, but this one is my favorite. I like movies/books that take a historical concept in and impose a fictional story over it. And this one follows our dear Indiana (who I want to be when I grow up, if I can't be Rachel) and imposes 2 historical concepts with our favorite characters - the mythology of the Holy Grail and the historical facts of WWII.
The added bonus of Sean Connery as Henry Jones (senior?) just puts this one over the top. Our hero Indiana (named after the dog) has returned to his home to go back to teaching archaeology after globe trotting to find the cross of Coronado. In his mailbox is his father's diary that details all of his life's work search for the Holy Grail. Unfortunately, we also find out that his father has been kidnapped. So Indiana has to go and search for his father, and tries to find the Grail (X marks the spot) and fight off the Nazis ("No ticket"). I love this film in every way and will watch it every time it's on TV, plus I own it on VHS, DVD and will probably get the BluRay someday.
The added bonus of Sean Connery as Henry Jones (senior?) just puts this one over the top. Our hero Indiana (named after the dog) has returned to his home to go back to teaching archaeology after globe trotting to find the cross of Coronado. In his mailbox is his father's diary that details all of his life's work search for the Holy Grail. Unfortunately, we also find out that his father has been kidnapped. So Indiana has to go and search for his father, and tries to find the Grail (X marks the spot) and fight off the Nazis ("No ticket"). I love this film in every way and will watch it every time it's on TV, plus I own it on VHS, DVD and will probably get the BluRay someday.
Wednesday, April 4, 2012
My Top 10: #6 Gone with the Wind
I owned this movie on videotape as a kid - it was actually on two Betamax cassettes that my parents taped off TV. Because they couldn't make it fit on one tape (remember having to switch from SP to LP?) there are a few minutes in the middle of the film that always seem unfamiliar to me when I watch it now on DVD or even on television. I read the book in high school at least 10 times and still adore the film - also one of the most quoteable movies out there.
For a film that has been out more than 70 years, it's amazing that it hasn't been completely dismissed or worse, remade. While it has many faults, as a product of its time and as a representation of the novel's time, it succeeds in many ways. With so many versions produced over the years, this movie might have the most "making of" or background material of any film (besides the LOTR trilogy) ever made. The movie changed directors, was rewritten and even recast throughout the making of the movie. The version that has become immortalized with Vivien Leigh and Clark Cable came quite close to never having been made.
I love watching Scarlett O'Hara fight like a bitch for a the man she loves only to eventually realize he wasn't worth her time and could never love her back. Every time I watch it, I change my mind about whether she went to far with her attempts to win Ashley (the name should have given away what a douchebag he was). The moment of redemption coming at the last possible moment and her inability to make things turn out the way she wants ("Frankly, my dear, I don't give a damn" to her newfound profession of love), but her convincing moment when the audience knows it's not over and she'll figure out how to win Rhett back eventually. At various viewings in my life, I've idolized Melanie as the opposite of bitchy Scarlett, but eventually I always come back to knowing that Scarlett is my hero.
For a film that has been out more than 70 years, it's amazing that it hasn't been completely dismissed or worse, remade. While it has many faults, as a product of its time and as a representation of the novel's time, it succeeds in many ways. With so many versions produced over the years, this movie might have the most "making of" or background material of any film (besides the LOTR trilogy) ever made. The movie changed directors, was rewritten and even recast throughout the making of the movie. The version that has become immortalized with Vivien Leigh and Clark Cable came quite close to never having been made.
I love watching Scarlett O'Hara fight like a bitch for a the man she loves only to eventually realize he wasn't worth her time and could never love her back. Every time I watch it, I change my mind about whether she went to far with her attempts to win Ashley (the name should have given away what a douchebag he was). The moment of redemption coming at the last possible moment and her inability to make things turn out the way she wants ("Frankly, my dear, I don't give a damn" to her newfound profession of love), but her convincing moment when the audience knows it's not over and she'll figure out how to win Rhett back eventually. At various viewings in my life, I've idolized Melanie as the opposite of bitchy Scarlett, but eventually I always come back to knowing that Scarlett is my hero.
Tuesday, April 3, 2012
My Top 10: #7 When Harry Met Sally
Whenever I'm making a top 10 list, I try to make sure that movies for or about women are represented. It's easy to take some of the biggest movies of all time and just arrange them as your favorites. However, most of those movies are either about very general issues, or star men. For me, the one that always comes to the top of my list of movies I wouldn't leave the country without is When Harry Met Sally. It's definitely dated - none of the three main living stars (Meg Ryan, Billy Crystal, Carrie Fisher) really have much of a career these days. And the hairstyles, clothes and even some of the conversations are so rooted in 1989 that kids one day will only believe it to be a historical comedy.
However, it also defines a lot of the relationships of the 1990s and why they failed - "men and women can't be friends". Harry (Billy Crystal) imparts these immortal words to Sally (Meg Ryan in all her 'girl next door' glory) when they're driving from Chicago to NYC after they finish college. Harry assumes that sex always gets in the way, meaning men and women can't be friends. They meet a few more times over the years - strongly disliking each other. But of course eventually become friends. And then eventually sex gets in the way. "I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible"
Peppered throughout the film are older couples sitting and talking (and being impossibly cute) about how they met and how they've stayed together for so many years. One guy rode the elevator "9 more floors" just so he could keep talking to his future wife. Another is an arranged marriage between an Asian couple and "he liked how she looked very much" so he said okay. And my favorite grew up just a few blocks from each other and they "never met" until they were far away from home.
However, it also defines a lot of the relationships of the 1990s and why they failed - "men and women can't be friends". Harry (Billy Crystal) imparts these immortal words to Sally (Meg Ryan in all her 'girl next door' glory) when they're driving from Chicago to NYC after they finish college. Harry assumes that sex always gets in the way, meaning men and women can't be friends. They meet a few more times over the years - strongly disliking each other. But of course eventually become friends. And then eventually sex gets in the way. "I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible"
Peppered throughout the film are older couples sitting and talking (and being impossibly cute) about how they met and how they've stayed together for so many years. One guy rode the elevator "9 more floors" just so he could keep talking to his future wife. Another is an arranged marriage between an Asian couple and "he liked how she looked very much" so he said okay. And my favorite grew up just a few blocks from each other and they "never met" until they were far away from home.
Welcome to Reel Insight
As I hope you've guessed by now, Rachel and I have decided to merge our blogging efforts. We have started a new blog at Reel Insight that we'll be running together as we keep the podcast going and stop posting new stuff on our individual sites. Thank you so much to all the people who have helped make this blog so much fun to do that I want to keep doing it. Today is Rachel's 5-year blogaversay, and mine will be in a week, so I will continue posting here for another week, and then jump on over to Reel Insight. I really hope you'll join us there! Thanks.
Monday, April 2, 2012
My Top 10: #8 The Princess Bride
I'm kind of surprised that two movies with Billy Crystal ended up in my top 10, but I'm a child of the '80s, what can I do? This is the first one, you'll have to wait to see the next one in a few days.
Also, I'm not sure there's another movie on this list I've seen as many times as The Princess Bride (possibly my #1, but that's about it). Is it even possible to give a description of this film? It's a brilliant adaptation of a crazy book that actually took the craziness of the book a step further while eliminating some of the jokes that just don't play.
With a brilliant cast, it's one of the funniest movies ever made, easily the most quotable, and strangely starring people who collectively have had fairly impressive careers, but none of whom have surpassed the greatness they achieved in this role (I'm ignoring Christopher Guest's directorial work). And while some of them have done good work since, sadly they lived their epitaphs nearly 25 years ago.
Who can say no to fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles...
My career in film
There have been a lot of photos on facebook of people describing their jobs - how they see themselves, how others see them, how parents see them. Since I think in terms of movies, I wanted to try to give you a sense of my career path in film/TV - real and imagined.
I finished college more than a decade ago - coincidentally when A Beautiful Mind was being filmed. The dorm in the background of this photo was where I lived my senior year. My room was just to the right of those windows on the top floor.
Then I got a job working for a professor running his project in Kenya studying zebras. I felt like this:
But it was really a lot more like this:
Then I came back to the US, moved to NYC and felt like this:
But it was really a lot more like this:
Then I decided to go back to school. This is where the recent facebook stuff cracks me up. So I share the best one.
And finally, this is where I have arrived (how I see myself):
And where I'd like to end up:
And if this isn't an advertisement for both the need for women in film and women in science, I don't know what is.
I finished college more than a decade ago - coincidentally when A Beautiful Mind was being filmed. The dorm in the background of this photo was where I lived my senior year. My room was just to the right of those windows on the top floor.
Then I got a job working for a professor running his project in Kenya studying zebras. I felt like this:
But it was really a lot more like this:
But I felt like this:
(That's me in the background, learning how to take notes, just kidding, it's obviously Lorraine Bracco)
Then I came back to the US, moved to NYC and felt like this:
But it was really a lot more like this:
Then I decided to go back to school. This is where the recent facebook stuff cracks me up. So I share the best one.
And finally, this is where I have arrived (how I see myself):
And where I'd like to end up:
And if this isn't an advertisement for both the need for women in film and women in science, I don't know what is.
Sunday, April 1, 2012
Movie Mashup 17
New Clue: Dr. Alex Cross tries to find a kidnapped young woman because with great power comes great responsibility.
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
My Top 10:#9 50 First Dates
Even I find it strange that an Adam Sandler movie made it into my top 10, but in the 8 years since I first saw it on DVD, I've probably seen all or part of it more than 50 times. It's one I've taken on trips that almost always gets watched. The concept of this movie really shouldn't work - a womanizing veterinarian in Hawaii falls for a woman with no short term memory. But somehow it's sweet that he has to make her fall in love with him every day.
Henry Roth (Adam Sandler) loves to hit on tourists - he lies to get them into bed, and since they're on vacation they're into it too. He has big plans to do actual research on walruses some day, but in the meantime works at a local aquarium and spends time with his friend Ula (Rob Schneider). One day he goes to a diner for breakfast and meets Lucy (Drew Barrymore) a hippie art teacher having breakfast and they really hit it off. He returns the next day to see her, but she has no idea who he is. The owner of the diner Sue (Amy Hill) explains that she was in a car accident a year ago and has no short term memory and just does the same thing every day. Henry follows her home one day and meets her brother Doug (Sean Astin) and Dad (Blake Clark) who have helped keep the masquerade going every day because they don't know what else to do. Henry spends days and days trying to recreate that magic from the first day - just going to show that timing is everything and he falls in love with her even if she still doesn't know who he is. Henry decides to try making a video and stop lying to Lucy, and over time some things start to stick in her brain, but she decides she's holding everyone back and goes to live in a rehab center. There is definitely a happy, if imperfect, ending, but I won't spoil it.
One of best things about this movie is that we don't have to see Lucy regain her memory for it to be a happy ending. Making the best of a situation and letting good enough be enough sometimes makes reality happen. The whole Adam Sandler crew makes an appearance, as Lucy's former friends and staff at the rehab center. The supporting cast a whole does a good job of carrying the story - particularly Sean Astin as Lucy's body-building brother, Doug, who got outed for steroid use and speaks with a lisp, and Henry's assistant Alexa (Lusia Stus) who is a hysterically androgynous person who eventually hits on Doug. The chemistry between Henry and Lucy is the other big part that makes this movie work - they've come a long way since The Wedding Singer and that chemistry translates to the screen.
Henry Roth (Adam Sandler) loves to hit on tourists - he lies to get them into bed, and since they're on vacation they're into it too. He has big plans to do actual research on walruses some day, but in the meantime works at a local aquarium and spends time with his friend Ula (Rob Schneider). One day he goes to a diner for breakfast and meets Lucy (Drew Barrymore) a hippie art teacher having breakfast and they really hit it off. He returns the next day to see her, but she has no idea who he is. The owner of the diner Sue (Amy Hill) explains that she was in a car accident a year ago and has no short term memory and just does the same thing every day. Henry follows her home one day and meets her brother Doug (Sean Astin) and Dad (Blake Clark) who have helped keep the masquerade going every day because they don't know what else to do. Henry spends days and days trying to recreate that magic from the first day - just going to show that timing is everything and he falls in love with her even if she still doesn't know who he is. Henry decides to try making a video and stop lying to Lucy, and over time some things start to stick in her brain, but she decides she's holding everyone back and goes to live in a rehab center. There is definitely a happy, if imperfect, ending, but I won't spoil it.
One of best things about this movie is that we don't have to see Lucy regain her memory for it to be a happy ending. Making the best of a situation and letting good enough be enough sometimes makes reality happen. The whole Adam Sandler crew makes an appearance, as Lucy's former friends and staff at the rehab center. The supporting cast a whole does a good job of carrying the story - particularly Sean Astin as Lucy's body-building brother, Doug, who got outed for steroid use and speaks with a lisp, and Henry's assistant Alexa (Lusia Stus) who is a hysterically androgynous person who eventually hits on Doug. The chemistry between Henry and Lucy is the other big part that makes this movie work - they've come a long way since The Wedding Singer and that chemistry translates to the screen.
Saturday, March 31, 2012
Movie Mashup 16
New Clue: An African bushman finds a Coke and tries to reform an alcoholic country singer with a broken leg.
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
My Top 10: #10 Galaxy Quest
One quality all of my top 10 films share is their rewatchability. That's a particular feat that many films, despite their greatness, fail to achieve. Galaxy Quest combines a few of my favorite elements of entertainment - science fiction and self-referential comedy. The main characters are all formerly famous actors from a TV series from the 1970s that is a spoof of the original "Star Trek" - with Tim Allen playing the obnoxious leading man (aka William Shatner as Kirk). The TV series, "Galaxy Quest" has a huge cult following and does fan events. At one of these events, some people in costume come up to Allen and ask him for help. He thinks they're just playing along with his character, but they actually ARE aliens from another planet who believe "Galaxy Quest" were "historical documents" and not a television series so they believe Allen has the power to save them from a bad guy.
However, Allen's former costars - Sigourney Weaver, who plays the token sexy woman who just repeats what the computer says, Alan Rickman who plays the ship's doctor with a catch phrase, Tony Shaloub, the ship's technician, and Daryl Mitchell who plays the Wil Wheaton character - a young man who has grown up in real life, but is frozen in adolescence on TV. They hate that Allen is the favorite character and hate that their careers were subsumed by being part of such a hit TV series years ago. However, they respect their fans and continue to earn money from their success. So of course they want in on Allen's new gig.
The whole movie follows all the cliches of 1970s science fiction television. Most of that is narrated by Sam Rockwell who plays a fan who was an extra on one episode named Guy. There's a moment when the ship is going down and he's hysterical because he knows he's going to die because no one knows his last name - if you don't know much about a character on a TV show, chances are good they will die off. I love the humor in this, and its attempt to parody and pay homage at the same time to a genre I adore. They pay homage by making some of the fans, including a very young Justin Long, responsible for helping save the day.
However, Allen's former costars - Sigourney Weaver, who plays the token sexy woman who just repeats what the computer says, Alan Rickman who plays the ship's doctor with a catch phrase, Tony Shaloub, the ship's technician, and Daryl Mitchell who plays the Wil Wheaton character - a young man who has grown up in real life, but is frozen in adolescence on TV. They hate that Allen is the favorite character and hate that their careers were subsumed by being part of such a hit TV series years ago. However, they respect their fans and continue to earn money from their success. So of course they want in on Allen's new gig.
The whole movie follows all the cliches of 1970s science fiction television. Most of that is narrated by Sam Rockwell who plays a fan who was an extra on one episode named Guy. There's a moment when the ship is going down and he's hysterical because he knows he's going to die because no one knows his last name - if you don't know much about a character on a TV show, chances are good they will die off. I love the humor in this, and its attempt to parody and pay homage at the same time to a genre I adore. They pay homage by making some of the fans, including a very young Justin Long, responsible for helping save the day.
Friday, March 30, 2012
My Top Movies: # 11-20
In an effort to get to 900 posts by my 5th Blogoversary, I'm going to countdown my Top 10 Movies, but before we get to my Top 10 Countdown, I thought I'd show you the films that didn't quite make the list. I have never claimed to have actual good taste in films. I know what I like and I tend to watch them a lot. I own all of these movies and have rewatched them at least once in the last year, some of them a few times depending on their TV showings as well. There is definitely a trend toward movies that end well, have a romantic message and generally really good writing.
11. Waitress - It's the pie. Every single time I watch this, I'm hungry and I want to be able to make a really good pie. One of the things this movies does well is cultivate hope. It makes you want to have people in your life to make pie for. Duh, Nathan Fillion.
12. 10 Things I hate about you - Easily the greatest modern retelling of Shakespeare in film. This high school version of Taming of the Shrew does a good job sticking pretty close to its source material without relying on you to actually have read it to understand anything. Can't really beat Jo-Go and Heath Ledger in the same film.
13. Good Will Hunting - I think it's the writing. I don't like Minnie Driver in this, but I love the story and the quick witty dialogue. It tickles my inner nerd.
14. Dogma - If Good Will Hunting reaches my inner nerd, then Dogma speaks to my Catholic upbringing. Much in the same way Aaron Sorkin did during The West Wing, Kevin Smith attacks the inconsistencies in religion. And it's funny as hell.
15. Sliding Doors - I love the way this takes a look at changing a single moment in your life. When I'm driving and realize I haven't been paying attention and swerve a little to stay on the road, I often think how my life would change if the alternate universe happened where I didn't stay on the road. Then I try to drive more carefully. But the interplay between fate and opportunity is really well put together in this.
16. The Proposal - What can I say, Ryan Reynolds is hot and Sandra Bullock is funny.
17. V for Vendetta - Hugo Weaving is frickin' amazing. He does the whole movie with a mask on and unraveling the mystery behind his mask draws me in every time. Oh, and watching Natalie Portman try to fight off oppression in her own little ways is neat.
18. O, Brother Where Art Thou? - It's the music. Oh, and George Clooney. The way he delivers the lines as Ulysses Everett McGill and makes this retelling of the Odyssey brilliant in its simplicity of tone and complexity of story and characters.
19. A Few Good Men - You can't handle the truth. This drama, back when Cruise was at his best makes me watch it EVERY TIME it's on TV. I like the element of questioning what you know to be true turning your whole outlook upside down. And that you can be wrong, but be the good guy too.
20. Love, Actually - If you've ever listened to Reel Insight, and why wouldn't you, you already know that I love this movie, Christmas or not.
Movie Mashup 15
New Clue: An alien saves a single human just before Earth's destruction and they travel the universe using the "historical documents" from a 1970s sci-fi TV show and defeat a great enemy.
Thursday, March 29, 2012
Movie Mashup 14
New Clue: A young man finds out he's an alien being hunted in a hotel where we meet a bellhop who finds people murdered and plays games of chance for fingers.
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
2012 March Madness Movie Style!!!
You know I love to play games with movies - I might stink at most of them (*cough Last Lamb Standing), but that doesn't mean I don't like to try. I've entered this one every year and usually do pretty well. Either way, I think you should definitely go to MAN I LOVE FILMS to download your bracket and be sure to enter. Here are the rules and prizes:
The rules:
1. For each matchup, select which film will have the higher box office. Continue through the bracket until a champion has been crowned.
2. Scoring per round will be 1-2-4-8-12, for a possible total of 76 points (see table in workbook).
3. For the tie-breaker, enter your predicted top 5 films (box office) from the ones listed. One point for will be rewarded for each correct film, and an additional point for proper placement, for a potential 10 points. In the case of a tie, if one person’s tie-breaker portion is not filled out, the other will win.
4. Brackets MUST be turned in (sent to dylan [at] manilovefilms.com) no later than April 6.
5. Box office data will be counted from April 6 – September 16, 2012.
6. One entry per person.
The prizes:
Still up in the air (as usual). I’ll be throwing in a TBD prize pack at the least, and am hoping to get the community-at-large involved in the prize-giving (I’d like to have prizes for the top 3 finishers), so if there’s something you can offer to the prize pool, please let me know. Hopefully, we can get a nice prize pack going (more on this later). We had 34 players the first year and 38 the last two years, so just a few items will make it that much more worth it.
The rules:
1. For each matchup, select which film will have the higher box office. Continue through the bracket until a champion has been crowned.
2. Scoring per round will be 1-2-4-8-12, for a possible total of 76 points (see table in workbook).
3. For the tie-breaker, enter your predicted top 5 films (box office) from the ones listed. One point for will be rewarded for each correct film, and an additional point for proper placement, for a potential 10 points. In the case of a tie, if one person’s tie-breaker portion is not filled out, the other will win.
4. Brackets MUST be turned in (sent to dylan [at] manilovefilms.com) no later than April 6.
5. Box office data will be counted from April 6 – September 16, 2012.
6. One entry per person.
The prizes:
Still up in the air (as usual). I’ll be throwing in a TBD prize pack at the least, and am hoping to get the community-at-large involved in the prize-giving (I’d like to have prizes for the top 3 finishers), so if there’s something you can offer to the prize pool, please let me know. Hopefully, we can get a nice prize pack going (more on this later). We had 34 players the first year and 38 the last two years, so just a few items will make it that much more worth it.
Wednesday, March 28, 2012
Movie Mashup 13
New Clue: A Spaniard fights hard for his right to die while attempting to pull of a mysterious bank heist without getting caught.
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
Tuesday, March 27, 2012
Movie Mashup 12
New Clue: An immigrant woman is going blind, but escapes by watching musicals in an underground world controlled by people who put you to sleep.
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
New Release: 21 Jump Street
I had no idea what to expect seeing this movie - the trailers seemed mixed. It could either have been really funny or they could have shown all the funny stuff in the trailer. Thankfully, they stuck to the first 15 or so minutes of humor for the trailer and left another 90 minutes of dick and balls jokes, many of which were really really funny.
I expected it to be a really male driven comedy, but I honestly didn't expect the level of raunchiness of it all. I guess we can assume Jonah Hill's Oscar nomination was more of a fluke than we knew. He's much thinner, but still relies heavily on the kind of sophomoric humor that made him famous. This is Superbad goes to Police Academy. Hill and Channing Tatum were high school opposites - the "not-so-Slim-Shady" and the dumb prom king, respectively. However, they realized at the Police Academy that they could help each other with the parts of the job they found difficult. They become really close friends and make it through together.
However, they're INSANELY juvenile, dry humping their first perp after hand cuffiing him, and forgetting to read his Miranda rights so he gets released. They get dumped on "Jump Street", a unit that uses police officers that look young enough to blend into high schools undercover. They infiltrate a drug ring at a local high school run by Dave Franco (James Franco's younger brother, who has stolen all his brother's tricks). They accidentally switch identities and Tatum is assigned to AP Chemistry and befriends the geeks, and Hill goes to theater and track. However, high school has changed since they went to school - all the things that made Tatum hot stuff and prom king no longer work, and the geeks rule the school so Hill finally gets the chance to relive high school.
They screw up a LOT, but of course save the day in the end. It's really funny and I laughed out loud many times, but mostly from shock or disbelief than any sort of really good humor. Cheap fun, and lots of it, but overall, that's about it. 3.5 of 5 stars/lambs.
I expected it to be a really male driven comedy, but I honestly didn't expect the level of raunchiness of it all. I guess we can assume Jonah Hill's Oscar nomination was more of a fluke than we knew. He's much thinner, but still relies heavily on the kind of sophomoric humor that made him famous. This is Superbad goes to Police Academy. Hill and Channing Tatum were high school opposites - the "not-so-Slim-Shady" and the dumb prom king, respectively. However, they realized at the Police Academy that they could help each other with the parts of the job they found difficult. They become really close friends and make it through together.
However, they're INSANELY juvenile, dry humping their first perp after hand cuffiing him, and forgetting to read his Miranda rights so he gets released. They get dumped on "Jump Street", a unit that uses police officers that look young enough to blend into high schools undercover. They infiltrate a drug ring at a local high school run by Dave Franco (James Franco's younger brother, who has stolen all his brother's tricks). They accidentally switch identities and Tatum is assigned to AP Chemistry and befriends the geeks, and Hill goes to theater and track. However, high school has changed since they went to school - all the things that made Tatum hot stuff and prom king no longer work, and the geeks rule the school so Hill finally gets the chance to relive high school.
They screw up a LOT, but of course save the day in the end. It's really funny and I laughed out loud many times, but mostly from shock or disbelief than any sort of really good humor. Cheap fun, and lots of it, but overall, that's about it. 3.5 of 5 stars/lambs.
Monday, March 26, 2012
Reel Insight Episode 76: Woody Harrelson
I know, you can't believe we're finally covering Woody. We've been holding off knowing what a big movie star he is. Okay, that was sarcastic, but we really did have a great time covering his movies - there were a lot more that we could have talked about too. In addition to Woody's career, we discuss The Lorax, Rio, and Like Crazy (starring our future Star of the Week Anton Yelchin). Our random topic this week is about movies that should have been made into franchises. We're not really afraid that The Hunger Games (or reason for choosing Harrelson) isn't going to go the distance, but there were a few that we're still disappointed didn't get made into a full franchise. Check it out and let us know what you think, either in the comments or send us an e-mail reelinsight@ gmail
Movie Mashup 11
New Clue: Two elderly neighbors continue their feud despite having been part of a government mind control experiment that had bizarre consequences and ultimately didn't work.
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
Sunday, March 25, 2012
Movie Mashup 10
New Clue: A man falls in love with his brother's girlfriend during a family reunion while a man is caught up in the crucifixion, with humorous results.
New Release: The Hunger Games
I don't do too many New Release reviews these days. Usually so many people have reviewed them that it feels like I don't have anything else to say. However, as I've managed to avoid reading any other reviews I am going to have my say before I go devour what everyone else thought.
I have read The Hunger Games and it's sequels several times (the audiobooks are terrific). For a change, I would actually recommend reading these books before seeing the movie. While the movie does a good job of explaining the kind of world of Panem, it relies a lot on Donald Sutherland's sinister trimming of roses and sweeping views of "peacekeepers" to imply the terror and poverty that people actually endure. I'm glad the movie decided not to make the movie particularly dark (the concept of children fighting to the death is dark enough) but I think if you haven't read the book, it might come across as too light. I think they captured the overall feel of the book particularly well.
So what is it about? In a futuristic society, factions around the US rebelled. The rebellion was quashed by the Capitol (now located near Denver), and as a reminder of the Capitol's supremacy, every year the 12 districts have to send a young man and young woman to fight to death on national television - required viewing. Our heroine from District 12 (coal country), Katniss Everdeen (Jennifer Lawrence), volunteers after her young sister's name is picked for the "Reaping". Katniss has been taking care of her family and particularly her sister since their father's death in the mines - she can hunt with a bow. She and the male tribute, Peeta (Josh Hutcherson), are sent to the over the top fashion/appearance obsessed Capitol with Effie Trinket (Elizabeth Banks) and their mentor - a previous winner of the games - Hamich (Woody Harrelson). Obviously the goal of the games is to stay alive and one of the ways to ensure that is to get "sponsors" so a lot of maneuvering is done to set the odds on each of the 24 tributes based on their skills and likeability. That's the first half of the film. The second half is the actual battle in the game - and we see Katniss attempt to stay alive and save Peeta who has confessed he's loved Katniss since he was a kid. The deaths are violent and frequent, and we see it all through Katniss' strength and fear as well as Peeta's attempt to not become a killer.
Jennifer Lawrence does a great job as Katniss - she's tough, but obviously scared. She won't let anyone get in her way, but not because she's ruthless, just because she's used to protecting herself. Hutcherson is convincing as the love interest, but he doesn't have enough lines to carry off his charismatic character to the extent he needs to. Everyone else is well cast, particularly Wes Bentley as the game maker at Sutherland's mercy, and Stanley Tucci as the TV personality interviewing candidates and narrating the Games.
My only big problem with the film was the shaky camera work. There are a LOT of scenes where you feel like you have no idea what you're looking at. For the violent scenes, it's okay, but when Katniss is just walking around and taking things in it can be really disorienting and actually made me feel pretty dizzy for a while afterward. Other than this little problem, I think they brought it to life particularly well. 4.5 of 5 stars/lambs
One of the
I have read The Hunger Games and it's sequels several times (the audiobooks are terrific). For a change, I would actually recommend reading these books before seeing the movie. While the movie does a good job of explaining the kind of world of Panem, it relies a lot on Donald Sutherland's sinister trimming of roses and sweeping views of "peacekeepers" to imply the terror and poverty that people actually endure. I'm glad the movie decided not to make the movie particularly dark (the concept of children fighting to the death is dark enough) but I think if you haven't read the book, it might come across as too light. I think they captured the overall feel of the book particularly well.
So what is it about? In a futuristic society, factions around the US rebelled. The rebellion was quashed by the Capitol (now located near Denver), and as a reminder of the Capitol's supremacy, every year the 12 districts have to send a young man and young woman to fight to death on national television - required viewing. Our heroine from District 12 (coal country), Katniss Everdeen (Jennifer Lawrence), volunteers after her young sister's name is picked for the "Reaping". Katniss has been taking care of her family and particularly her sister since their father's death in the mines - she can hunt with a bow. She and the male tribute, Peeta (Josh Hutcherson), are sent to the over the top fashion/appearance obsessed Capitol with Effie Trinket (Elizabeth Banks) and their mentor - a previous winner of the games - Hamich (Woody Harrelson). Obviously the goal of the games is to stay alive and one of the ways to ensure that is to get "sponsors" so a lot of maneuvering is done to set the odds on each of the 24 tributes based on their skills and likeability. That's the first half of the film. The second half is the actual battle in the game - and we see Katniss attempt to stay alive and save Peeta who has confessed he's loved Katniss since he was a kid. The deaths are violent and frequent, and we see it all through Katniss' strength and fear as well as Peeta's attempt to not become a killer.
Jennifer Lawrence does a great job as Katniss - she's tough, but obviously scared. She won't let anyone get in her way, but not because she's ruthless, just because she's used to protecting herself. Hutcherson is convincing as the love interest, but he doesn't have enough lines to carry off his charismatic character to the extent he needs to. Everyone else is well cast, particularly Wes Bentley as the game maker at Sutherland's mercy, and Stanley Tucci as the TV personality interviewing candidates and narrating the Games.
My only big problem with the film was the shaky camera work. There are a LOT of scenes where you feel like you have no idea what you're looking at. For the violent scenes, it's okay, but when Katniss is just walking around and taking things in it can be really disorienting and actually made me feel pretty dizzy for a while afterward. Other than this little problem, I think they brought it to life particularly well. 4.5 of 5 stars/lambs
One of the
Saturday, March 24, 2012
Movie Mashup 9
New Clue: A man and woman date on and off for seven years before they figure out they are right for each other (at her sister's wedding), which is good because they'll have to struggle with her illness forever, even as the guy realizes he doesn't want to sell viagra forever.
Friday, March 23, 2012
Movie Mashup 8
New Clue: A group of high school cheerleaders team up with longshoremen to try to make their lives better.
* This one made me giggle thinking of the actual movie that it would create.
Thursday, March 22, 2012
Movie Mashup 7
New Clue: A former tennis pro gets engaged to a debutante, but falls for her brother's fiancee a femme fatale trained to be an assassin after getting arrested.
Wednesday, March 21, 2012
Movie Mashup 6
New Clue: A Scottish family in a mining town struggles with various problems in their lives watching 3 young ladies try to make it in show business with some shady results.
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
Tuesday, March 20, 2012
Movie Mashups 5
New Clue: A lesbian, a crazy woman who killed her boyfriend, and a prude go on a road trip to the Napa valley to drink lots of wine like serious snobs.
The goal is to figure out the two movies that overlap in some words creating a new movie described by the clue. Leave your answer in the comments. Good luck!
Subscribe to:
Posts (Atom)
Labels
2 stars
2.5 stars
3 stars
3.5 stars
4 stars
4.5 stars
5 lambs
5 stars
action movie
actors
actresses
Alphabet Meme
Animated movies
awards
bad movies
battlestar galactica
best movies
blockbusters
blog cabins
bloggers
British TV
characters
chick flicks
Christmas
classics
comedy
Comments
documentary
dramas
DVD
emmys
epic
family films
fashion
Father's Day
Favela Rising
females
final season
foreign films
Friday Night Lights
friends
Golden Globes
good movies
great cast
guest post
holidays
Independent film
james mcavoy
kevin smith
kids
kids movies
LAMB
Lists
marketing mistakes
Monday musicals
movie from book
Movie meme
movies
music from movies
musicals
New Releases
old movies
Oscar Nominations
Oscar winners
period pieces
podcasts
predictions
Random
Reel Insight
Robert Downey Jr.
romance
sci-fi
songs
sports
straight to DVD
summer candy
The West Wing
Top-Grossing
Tuesdays
TV meme
TV Shows
why i love